26.3.10

Monterey


Snippet of my recent illustration being put up in über cool new bar in Newtown.

25.3.10

Merlin Mann

You’re gonna die. You’re gonna die. And nobody’s gonna care which version of the iPhone you used to make something on Twitter, or to go and post about your bowel movement on Facebook. And I’m not even talking about legacy; I’m talking about the fact that I personally feel most alive when I’m making something, and I feel least alive when I’m being led around by some obnoxious use of my attention that I wasn’t aware of. To me, that’s the thing. You can buy the jogging shoes and you can buy the Runner’s World, but until you put them on and walk out the door every day, you’re just a fat man.
Via No Man's Blog

22.3.10

21.3.10

Work in progress

The hills are alive

Do not post

20.3.10

Sneak peak


More details soon.

13.3.10

RedRam

Having kept my mouth shut for ages about this 'secret project' I was working on at Icebreaker I can now reveal what it was all about. RedRam. Not as premium as Icebreaker but if you love merino this is where you can start…

23.2.10

Winning is everything.

I’ve just won a copy of Pixelmator. Me? Win! I never win anything. So this is even more special. Thanks to Jay at Bittbox. I’ve seen some of the outputs and been pretty impressed as there are some things that the mighty Photoshop isn’t as good at, but so far I’ve not used the application. I’ll keep you posted as to how it works out.

5.2.10

Logorama



I had an idea over Christmas, while I was in Hokitika, that I’d like to see all the shop signs, road signs, menus and all the ephemera in a small provincial town completely overhauled by a group of designers. Rather than an obvious uniform “helvetica” solution could they create a uniform (as in ‘of and area’, but still local and individual feel to a place without it being soulless? The whole thing could be carried out virtually in some kind of StreetView mashup (but as it happens Gogle couldn’t even be bothered to go there). The kerning on the main drag, Weld Street was horrific, despite being routed out of wood. With all that effort it would’ve been nice to get it right. And many of the shop fronts seems to be hereditary. I am not advocating the removal of history, I was just wondering if a collective of designers, with a proper strategy, could create something “better”. After all proper kerning is for everyone.