13.12.07
Nicholas Hughes, photographer
6.12.07
25.11.07
Josh Ritter
This chap played at the Shepherds Bush Empire on Thursday and boy was he happy about it. Keep an eye open for his albums because his music is just brilliant.
2.11.07
1.11.07
Leandro Elrich
"The interaction between art, architectural space and setting, and the illusion factor have been researched in Leandro Elrich's work from the very beginning. Different levels of interpretation cam be brought to his work. Yet from the various possible readings it is the illusion factor that stands out. This is a topic he had explored throughout his career..."
That said, a picture says 1000 words so take a look here.
25.10.07
13.10.07
3.10.07
Can they do that in Word? (update)
Rant: As a designer I am being asked more and more often whether the corporate branding (letterheads, faxes, etc) that I design can then be re-created in Word by the client. And if the answer is no (or at ‘not without some effort’) the whole project has to be dumbed down so that an non-designer with no interest in the final outcome can replicate a design (where considerable thought and effort has gone into leading, tracking, kerning and above all typefaces) in MSWord, a programme that has been developed so one cannot create your wildest dreams. It's a sad state of affairs, and more to the point it saddens me that they get away with it. They pay the bills after all.
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Following that I decided to do something about it. I have a solution: InDesign+Acrobat 8+Forms Yay!
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Following that I decided to do something about it. I have a solution: InDesign+Acrobat 8+Forms Yay!
30.9.07
Wood for the Trees
10.9.07
Underground posters
It looks like the complete history of London Underground posters are now online and can be bought for pocket money from their online store. A great source of inspiration and historical development of poster design.
5.9.07
29.8.07
There once was a farmer
Impressions on my recent trip to Denmark will follow soon.
11.8.07
Foot Heaven
These are brilliant. I just had to buy some. They've got a special offer on right now too making it even cheaper to look great. The String Republic.
9.8.07
Graphs & Diagrams
30.7.07
Cut&Paste [updated]
[UPDATE: I didn't get through :( Better luck next year mate.]
27.7.07
Environmental Graphics
I've been meaning to put this up for ages. On the way to work, a month or so ago, I saw this box on the street soaked from the continual rain that is becoming a bit tedious. The interaction between the environment and the graphics I doubt was seen by anyone else. So I grabbed it and continued on my way. The graphic is brilliant and I love how the water actually got in the glass and left it's mark.
25.7.07
Shamelss plug (for kittens)
13.7.07
4.7.07
24.6.07
Drawing in Green
17.6.07
Postcard (1)
Repetition Repetition Repetition
"the work of Artist Mike Nourse in the 4th Law learn as an example of how repetition can be a powerful tool for learning. Nourse took video footage from a press conference by President George Bush before the Iraq war and did a simple thing. He removed all references of “terror,” “weapons of mass destruction,” and “Iraq,” and simply edited all those parts into a single piece of video. The result embodies the kind of strength that is achieved through the power of repeating oneself."
Borrowed from The Laws of Simplicity which is worth a look at.
Borrowed from The Laws of Simplicity which is worth a look at.
4.6.07
2012. A Gut reaction?
Comments from The Guardian make an interesting read. The consensus isn't pretty.
3.6.07
St Brides (2)
Work by the talented Kerr|Noble presented projects for Liberty’s food (see previous link) as well as their exterior sign for the V&A Museum of Childhood, and Melrose and Morgan (typeface here.) Flawless presentation, despite being heavily on the 'we also did this'. Very nice bit of typography achieved by dropping a cup out of a window but I can't find a link to it as yet.
Morag Myerscough has some fantastic signage up her sleeve (but you won't see any of on her website, I've just looked), notably for the Barbican, and the Westminster Academy.
Max Gadney, responsible for the BBC news website did his best to explain how the site caters for the type of news their 5 million readers a day may want, and the manner in which it should be delivered.
Things turned a little heated when Suw Charman began to point out that there is a large hole in the functionality of most social networking sites like myspace and facebook resulting in some horrific layouts/colours/overlay/non-design, and wouldn't it be better for everyone concerned if one was able to make it all ‘nicer’ given the right tools. After all, the majority of people don't get taught design, so aids that lead them into choosing harmonous/complementary colours (a la Abobe's Kuler) would be a good place to start. Some of the audience felt that it would hinder free expression, and their choice to have their space looking how they wanted it, but I think they missed the point completely although I kept it to myself for fear of a wedgey. I would put a fiver on the fact that they havent seen how IllustratorCS3's live colour can actually make colour choice better and more advanced (and quicker) than previously
Morag Myerscough has some fantastic signage up her sleeve (but you won't see any of on her website, I've just looked), notably for the Barbican, and the Westminster Academy.
Max Gadney, responsible for the BBC news website did his best to explain how the site caters for the type of news their 5 million readers a day may want, and the manner in which it should be delivered.
Things turned a little heated when Suw Charman began to point out that there is a large hole in the functionality of most social networking sites like myspace and facebook resulting in some horrific layouts/colours/overlay/non-design, and wouldn't it be better for everyone concerned if one was able to make it all ‘nicer’ given the right tools. After all, the majority of people don't get taught design, so aids that lead them into choosing harmonous/complementary colours (a la Abobe's Kuler) would be a good place to start. Some of the audience felt that it would hinder free expression, and their choice to have their space looking how they wanted it, but I think they missed the point completely although I kept it to myself for fear of a wedgey. I would put a fiver on the fact that they havent seen how IllustratorCS3's live colour can actually make colour choice better and more advanced (and quicker) than previously
St Brides (1)
Highlights of the St Brides Great British Design conference:
Ken Garland presented work of 5 graphic designers he felt were largely unrecognised by todays standards:
The work of William Slack, designer for the Architectural Press, and later Architectural Review enjoying the freedom of designing for subscribers and throwing conventions of mastheads and cover design out of the window. // Jerry Cinnamon's work for Penguin (The Penguin Book of Decorative Art with it's double title page, 50 Years of Penguin) and Integrated Books. // Ken Briggs' posters for the National Theatre with their hand rendering and expressive illustrated posters before falling into the Swiss design trend of a 3 column grid of Helvetica. // Ken "Graphic design is not cake icing and fancy wrapping" Cambell's Fathers Hook book of letterpress poems, printed on the most fragile of papers and illustrated with some wonderful fold out letterpress artworks, that Ken generously shared with the audience, and Broken Rules and Double Crosses. // The very topical Alfred Wainwright and his Pictorial Guides to the Lakeland Fells. It takes a certain type of person to produce a series of books over so many years entirely by hand, the level of attention to detail and concentration for such a long period is outstanding (OCD?) and it was interesting to consider the idea that, without knowing it, he was in fact a graphic designer, and publisher and an artist.
Ken Garland presented work of 5 graphic designers he felt were largely unrecognised by todays standards:
The work of William Slack, designer for the Architectural Press, and later Architectural Review enjoying the freedom of designing for subscribers and throwing conventions of mastheads and cover design out of the window. // Jerry Cinnamon's work for Penguin (The Penguin Book of Decorative Art with it's double title page, 50 Years of Penguin) and Integrated Books. // Ken Briggs' posters for the National Theatre with their hand rendering and expressive illustrated posters before falling into the Swiss design trend of a 3 column grid of Helvetica. // Ken "Graphic design is not cake icing and fancy wrapping" Cambell's Fathers Hook book of letterpress poems, printed on the most fragile of papers and illustrated with some wonderful fold out letterpress artworks, that Ken generously shared with the audience, and Broken Rules and Double Crosses. // The very topical Alfred Wainwright and his Pictorial Guides to the Lakeland Fells. It takes a certain type of person to produce a series of books over so many years entirely by hand, the level of attention to detail and concentration for such a long period is outstanding (OCD?) and it was interesting to consider the idea that, without knowing it, he was in fact a graphic designer, and publisher and an artist.
31.5.07
Great British Design?
30.5.07
Representation
24.5.07
On Tour
8.5.07
Go directly to jail
“I hope you lost it all, you continue to loose everything, your life spirals into a dark and bottomless pit and you never experience a glimmer happiness ever again.” And then some.
30.4.07
24.4.07
12.4.07
Design Responsibly (1)
"FSI FontShop International proudly announces FF Mt, Erik Spiekermann's most economical typeface ever. Employing obscure but powerful techniques like vwl mmssn and cap reduction, FF Mt uses up to 50% less paper, screen, and wall space than other text faces without a single condensed letter."
8.3.07
1st Base
4.3.07
Quiksilver, original thinking
14.2.07
News just in: Vormator
6.2.07
Dolk
Another tit-bit from my recent trip to Bergen: the work of Dolk Lundgren first-hand. Other bits and pieces can be seen here There is always going to be a debate about art/strencil/graffiti here. I am not going to go into that but instead say that all the pieces I saw in Bergen were on street furniture, or modern structures which, as Bergen is a World Heritage centre goes to show that the two can co-exist without it being historical destructive.
There were a couple of other interesting pieces that look familiar, and then there is the ear…
31.1.07
Self
News just in: Branded
I went to hear and see Matt Pyke from Universal Everything show off some eyekandy at the Apple Store last night. Witnessing their work is like injecting E-numbers straight into your eyeballs; a giddying assault of sound and vision, with some gloriously rich tapestries of weirdness. Big fan. Very.
30.1.07
Bergen; a fact
19.1.07
17.1.07
Wacom welcome
12.1.07
The Reeperbhan
2.1.07
The Eszett
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